Showing posts with label Sharath. Show all posts
Showing posts with label Sharath. Show all posts

David Garrigues on Guruji, pain and injury; Sharath on not being able to go to India


I just watched this recent video by David Garrigues, in which he talks about the place of pain and injury in Ashtanga yoga. He starts by talking about aligning the shoulder girder properly to prevent shoulder injuries. But he then switches gears and declares that there is a certain karmic component to injury; as he puts it, "you cannot have a long intense relationship with Ashtanga yoga without some kind of injury happening." Injury may arise in the course of your Ashtanga career due to moments of carelessness, genetic weaknesses, or the presence of certain lifestyle factors that impinge upon your practice, or other factors that are simply beyond our control. Whatever the case may be, we should not think that it is "wrong" to be hurt, or that being injured in the course of practice is somehow a yogic sin. David also brings up some funny Guruji stories about injury and pain; I won't go into the details here. I'll leave you to listen to them for yourself in the video.

*************

I just read this very detailed report of Sharath's latest conference (Sunday January 20th). Here's something from the report that really struck a chord with me:

"One student asked Sharath what one is to do if they cannot afford to come study in India, but want to have and maintain a dedicated practice. I loved his answer to this question. We can afford cell phones and nice meals, nice clothes, etc but we cannot afford yoga? He spoke of so many of his students who make tremendous sacrifices to come study with him each year, bringing their children, sacrificing many things to ‘find’ the money to come to India and study with him b/c they want to learn the truth of what is yoga, they want to learn this practice properly under his guidance. If so many of these people can do, everyone can do. So many families coming now brining their children, uprooting their lives to come learn proper practice, to understand this yoga, to show their dedication for this practice, this lineage – if parents can make such tremendous sacrifices and bring their children, it is possible for anyone to do. He chuckled and advised someone to skip one meal per day for some time until they saved enough for the trip."  

Hmm... now I can't help but wonder what Sharath would say about not being able to come study in India because of immigration and career issues? I have a few pictures in my head as to what he might say, but I'm not going to put it out here just yet, since I don't know him personally, and it is rude (not to mention fruitless) to guess what people would say to your personal situation when you don't know them personally. But I can't help wondering, nonetheless...


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Breath: Duration and Volume (Can breathing loudly wreck your body?)

Recently, I've been thinking about a few things relating to the breath in practice. First, I've been thinking about length and duration: How long should the inhalation be relative to the exhalation? I've also been thinking about volume: How loudly (or softly) should one breathe during practice?

Sharath has recently said some very illuminating things about the length and duration of the breath in practice. In her report on the December 18th conference in Mysore, Suzy writes that Sharath has this to say about the breath during practice:

"In practice the inhale and exhale should be the same duration – you have to bring that rhythm in you. Some people do very shallow breathing – the breath doesn’t go inside. If you do relaxed breathing so that the breath does go inside, this activates jatar agni (digestive fire). If you have pain in your lower back or pelvis, if you do deep breathing into that area, this is how the body heals."

I think this is one of the clearest and most lucid explanations that I have read in a while about the relationship between the breath and healing in asana practice (Thanks for posting this, Suzy :-)).

There is actually another, related reason for maintaining inhalation and exhalation at equal length. My teacher in Milwaukee once observed that people who are new to the practice have a tendency to have short, abrupt inhalations and long, forceful exhalations: These practitioners appear to be "sucking" in the inhalation, and then expelling the air through a longer, forceful exhalation.

Actually, I don't think it's just new practitioners who do this: "Old" practitioners also tend to lapse into this breathing pattern when they encounter challenging postures in the practice (Kapotasana is a prime example; I'm speaking from experience, of course :-)). In any case, my teacher observes that one who breathes this way ends up releasing more prana than one takes in: As a result, more prana is "lost" to the surroundings than taken in, and the practice tends to leave the practitioner more tired than refreshed. Because of this, it is important to make a conscious effort to keep the inhalation the same length as the exhalation, so that one does not lose energy while breathing.

And then there is the question of volume: How loudly or softly should one breathe during practice? This seems to me to be a less clear-cut matter. Many of us have probably heard funny (or not-so-funny) stories about Ashtangis who have loud Darth Vader breaths that can be heard a mile away (okay, I'm exaggerating, but probably not by too much...). In the course of my, uh, practice career, I have also had the dubious fortune of practicing beside a few such individuals. Actually, I don't really know how loud my own breathing is, so I probably shouldn't be judging anybody here...

In any case, I have a couple of questions here. Is there anything bad or wrong with breathing like Darth Vader, other than the possibility of annoying one's shalamates and becoming the butt of shala jokes? Is breathing loudly in any way deleterious to one's practice on a physical or prana level? Or--to borrow a turn of phrase that has become very popular in the yoga blogosphere lately--can breathing loudly wreck your body?

If you have anything to share about this, I'll love to hear from you. 

Lord Vader performing Utthita-Light-Saber-Padangusthasana
[Image taken from here]



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Hot spring Ashtanga talk, the place of alignment in Ashtanga

Yesterday afternoon, I took a break from grading papers and exams, and went with a group consisting of a few colleagues from various other departments to a mineral hot spring about 45 minutes from where I am in Idaho. It's funny how it took me almost a year of being here in Idaho to finally make it to a hot spring. But, as they say, better late than never, right? :-)

It was a pleasant afternoon. We spent more than three hours soaking in the spring and chatting about many things. As the only philosophy person in the group, the "responsibility" has fallen upon me over the last few months to be the provider of witty semi-philosophical banter whenever we meet up (the group of us meet together regularly for drinks at a local brewery). Hmm... come to think of it, this may be one of the main reasons why I haven't been blogging much lately: Perhaps most of the verbal-expressive energies that I previously expended on this blog are now taken up with providing witty banter for those around me, so that there is less wit left to spare for this blog.

Anyway, during those three hours in the spring yesterday, one interesting and unexpected topic of conversation came up... yes, you guessed it: Yoga! I don't normally talk about yoga to my students or colleagues, but sometime in the course of those three hours, one of my colleagues started doing some yoga-like stretches in the water (at one point, she looked like she would probably have gone into the full expression of Prasarita Padottanasana A in the water, if it weren't for the fact that she couldn't breathe underwater...), so I couldn't help remarking that she seemed to be doing some yoga poses. Upon further questioning, it turns out that her sister is a yoga teacher in a major city in the Pacific Northwest, so she knew a few things about the ins and outs and ups and downs of the typical yoga scene in a big city (too many teachers running around all over the place trying to scrap together a living by teaching too many classes, possibly compromising one's own yoga practice in so doing, etc., etc.).

As the conversation progressed, I also let on that I used to teach yoga in a studio in Florida. This prompted my colleague to ask, "Oh... do you intend to teach yoga again sometime in the future?" I replied, "Well, ever since I started doing Ashtanga full-time, I have been feeling less and less qualified to be a yoga teacher." This reply drew puzzled expressions from her and her husband, so I had to basically start from square one, and explain the ins and outs of traditional Ashtanga practice (what Mysore style practice is, how it is different from "conventional" yoga classes, how the only way to really get authorized to teach Ashtanga is by going to KPJAYI and getting authorized, and so on and so forth). I like to think that I succeeded, through this explanation, in conveying to them the spirit and the gravitas of traditional Ashtanga instruction and practice, because they seemed impressed by my dedication to this powerful tradition (at least, I think they looked like they were; I'm not always the best reader of people's facial expressions...).

The husband then asked me whether Ashtanga pays a lot of attention to precise and proper alignment. "Well, we believe that alignment is important, but we don't quite make such a big issue of it as Iyengar." And then, of course, I had to go on to explain to him the main differences in emphasis between Iyengar and Ashtanga.

Who would have thought that my first visit to a hot spring in Idaho would have consisted of me giving a talk on Ashtanga yoga? Life is pretty strange, isn't it? :-)

***********************

Oh, and speaking of alignment, after I came back from the spring yesterday, I went on Kino's FB page, and watched this instructional video by Sharath on the proper vinyasa for Utkatasana and Virabhadrasana A and B that she had posted there. I wanted to re-post the video here, but for some reason, it wouldn't show up on my Youtube search. But the video has been around for, like, a thousand years by now (I just haven't had much time to watch, post, or review yoga videos lately, due to the real-world demands for my services as a wit ;-)), so I'm guessing most of you know which video I'm talking about here. If you don't, just go to Kino's FB page; it's in one of her posts from yesterday.

I'm sure that anybody who has even so much as taken a glance at Yoga Journal covers over the last ten years of that illustrious publication's history would know that Sharath's physical alignment in the video is not going to put him on the cover of YJ anytime soon (and that, I suspect, is putting it rather mildly). And this fact is certainly not lost on Kino's Facebook readers either, as a couple of commenters have quite unceremoniously noted. I don't normally quote FB comments on this blog, but these couple of comments are so hilarious, I just can't resist "sharing" them here:

One commenter writes: "...so different than what we do in America. if I stayed up that high in any of my warrior poses my instructor would be on my ass like a fly on poop. he sure does float forward and back gracefully though."

A second commenter, piggy-backing on the first, continues: "Clearly he is the expert but I'm with the other person, he's on his toes in urdhva mukha svanasana, his arms aren't straight above his head, his knee is past his ankle and not at a 90 degree angle in virabhadrasana and the outside blade of his foot is clearly not down, his utkatasana is really high...it's hard seeing this video when I struggle and have instructors drill proper form in class. Is form not as important as it's made out to be or is the form im being taught not really correct? Or bc he's just so awesome he can afford to cheat a lil? :-)"

Well, Sharath, as we all know, is quite awesome. But even so --and I'm not saying any of this with any intention of starting an Ashtanga-vs-Iyengar blog war here--we still can't deny that if Sharath had performed the same Utkatasanas and Virabhadrasanas in any "conventional" yoga class here in this beautiful land of America, any YA-certified teacher worth his or her salt would have descended on Sharath like "a fly on poop", as the above commenter so eloquently put it (nothing like a good poop reference to get a point across ;-)), and it is doubtful that he would have made it through even the first five minutes of class without being the butt of many a well-intentioned adjustment. 

So, the million-dollar question: Just what is the place of "proper" alignment in Ashtanga? Is alignment also important in Ashtanga, only maybe not as important as in Iyengar? Or is the idea that drishti and bandhas have so much more primacy in Ashtanga, so that, so long as one is really focusing on those things, transgressions in alignment (even major ones, if Sharath's video is anything to go by) can be overlooked? I suspect that maybe the only person who can really speak to these questions is Sharath himself. But since it is really unlikely that I will be able to get him to comment on this post, I'll just leave you with these questions. If you have anything to say on this, please do. I'd love to hear from you.     


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Sharath in Copenhagen


Most of you probably have already seen this video which was first posted on Youtube three days ago. As of a few minutes ago, it already has more than 8000 views. But I thought I'd post it here anyway, in case you haven't seen it or want to see it again. In this video, Sharath discusses what the practice is about, and the place of asana in the yoga practice. There are a few new stories he hasn't previously shared before (to my knowledge). For instance, there is that very entertaining story of him doing kapotasana in a tent in Africa while a lion is prowling outside; I did not know he has been to Africa.

But many of the things he shares here are not new, but are worth listening to and pondering over again, if only to put our personal practice and struggles into perspective. For instance, he recounts how he used to get up at 2:30 in the morning to drive across Mysore to practice alone with Guruji. Nobody except Guruji knew what he was doing, but he did this for years anyway. Gives me a new perspective on my home practice; I don't get up at 2:30, but I have to admit that there are days when I get up and think to myself, "Really? I really have to put myself through all these physical contortions again?" At moments like these, it's good to remember that there are others who have been on, and are still walking on, the same path.

Anyway, that's enough editorializing from me. I hope you enjoy the video.   


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Sharath demos Karandavasana

I just stumbled upon this very beautiful video of Sharath demo-ing Karandavasana on the stage at KPJAYI in Mysore. At the same time, at the other corner of the stage, his son performs a never-before-seen asana with some mysterious looking string (anybody know what the name of that asana is?).

Even though I am not working on Karandavasana right now, I suspect that many of you out there are, and will probably benefit from watching this wonderful video; besides, as of right now, the video has only 45 views! This is an injustice that needs to be righted, and you can play a part :-)






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Kapotasana in a dream, Kapotasana in waking life

Last night, I had a very interesting dream. In the dream, I was in Mysore, practicing at KPJAYI. Sharath came over and told me to do Kapotasana. And I did; I got on my knees, arched over, reached my arms back. The front of my body lengthened spontaneously like the longest rubber band in the universe, and my right hand grabbed my right ankle with the greatest ease, as if my spine didn't even exist. My left hand didn't quite get that far; it kind of touched my left heel, but didn't go any further. (Which, by the way, is kind of the way it is in my waking life; because of my mild scoliosis, my backbending has always been uneven; one side of the spine is more flexible than the other. When I do Kapo in waking life, I'm able to grab the right heel/ankle with my right hand, but I usually have to walk the left hand a couple of inches to grab the heel/ankle). Anyway, Sharath was standing by watching as I did all that. He smiled and said, "Very good! You try again tomorrow!" And went away.

Isn't it weird that I should dream about Sharath even though I have never met him in real life? Actually, I have also dreamt about Guruji in the past (whom I never met). Sometimes, I wonder if this may have something to do with why I got into Ashtanga rather than any other style of yoga; maybe I dream about Guruji and Sharath because I feel a certain kind of affinity to what they teach. But I'm really just speculating here; I'm no dream-reader...

Anyway, when I woke up this morning, I thought about Sharath's "You try again tomorrow!" And then I thought, "Well, isn't this tomorrow?" But as I haven't attempted Kapo in two months (I cut back down to primary only when I moved here to Idaho, and am slowly building my second series practice back up), I decided that I would just do my practice as usual, and see how my body feels when I get to second before I decide whether to attempt Kapo today.

So I did that; started with the Suryas, went through standing and then full primary before doing the first few postures of second. And then I decided to try Laghu Vajrasana (which I also haven't attempted in two months). If I have become so weak that I can't even get up from Laghu, there won't be any point in trying to do Kapo, I thought to myself (oh, btw, you might be interested in reading this little post about Laghu that I wrote some time ago). I lowered myself into Laghu, breathed five times, and then, the moment of truth... my legs engaged, and I came back up. Yay! Now, Kapo. I got on my knees, took a few breaths to try to open the upper back, and then reached back, all the while trying to get my body to recall that sensation of utmost ease I had in the dream. No such luck; my right hand grabbed my right ankle, followed by the left, but I definitely felt my spine. But I was happy that Kapo is still there after two months of not doing it. So I did Kapo A, then Kapo B, then got back up. I then did the next posture in second series (Supta Vajrasana, which is always difficult to do without a partner), then went into finishing backbends. 

So yeah, I thought I'd write about my practice in this post, since I haven't done this in a while. And besides, having a dream about practice is probably a good omen for writing about practice, no? :-) But I have to go take care of other things in my waking life now. More later.


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An Open Letter to Sharath about Kino's Mysore video

Some of you may be aware that Kino has recently been on the receiving end of some negative reactions, both in social media and in the "real" world, over a video about practicing Ashtanga yoga in Mysore that she made about six months ago. Apparently, some Ashtangis who were in the video were offended because Kino did not ask for their permission before filming them doing their practices (for more details about the whole thing, see the January 22nd posts on Kino's Facebook page). Anyway, here is the video in question:


I cannot speak for anybody else's feelings, but as far as I am concerned, the video is very well-made. It is both aesthetically captivating and very educational. If nothing else, it gives somebody like me who has yet to make it to Mysore a close-up and intimate view of what practicing in Mysore is like, and conveys very powerfully the spirit of going to the source of this practice to deepen one's practice.

Based on what I feel, and on my desire to support Kino in her wonderful work that she is doing, I recently decided to write a letter to Sharath expressing my support for Kino's action with regard to this video. Kino has also graciously given me permission to publish this letter here, so that more people can understand what is going on, and her intentions in making this video in the first place. So here goes. 

*******************

A Letter about Kino MacGregor's video about practicing Ashtanga Yoga in Mysore

Dear Sharath,                     
                     I practice Ashtanga Vinyasa Yoga, and I live in the United States. I have been a student of Kino MacGregor for the past two years. I live in Pocatello, Idaho, and practice mostly by myself at home, as I am not close to any Ashtanga shala. But I travel to study with Kino whenever I am able to. She is a very dedicated teacher who has given much of herself for the well-being of her students, and in order that more people can come to take benefit from this wonderful method that Guruji has given us. Personally, I also hope to go to Mysore to study with you in the near future, when I have overcome my career and immigration problems in this country.

I am writing you today to voice my support for a video about Mysore that Kino made about six months ago. I attach the video to this email.

I recently learned that some Ashtangis have been offended by this video, ostensibly because they were filmed doing their practices in the shala without their permission. I cannot speak for other people, but I really feel that this video is a wonderful production that is both aesthetically beautiful and educationally valuable. As somebody who has never been to Mysore, I cannot tell you how much I have learned about what practicing at the shala is like from watching this video, and how much this video has strengthened my desire to go there myself someday. From the many positive comments about this video that are on the Youtube page, I believe many people also feel the same way as I do. As such, I believe this video does a great service to the Ashtanga community around the world.

I hope you will take all this into consideration, and regard this project in a favorable light, even though a few people are offended by it. Personally, I also feel that if these people were offended, they could have contacted Kino and voiced their feelings to her personally, rather than publicly jeopardize a project that is offering so much to so many people who are not able to go to Mysore at this moment.

I thank you for reading this email and considering my opinion. I hope to meet you soon.

Sincerely,
Nobel Ang
Pocatello, Idaho
U.S.A.  



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First practice in Idaho, practice space, the trash can of conditioned existence

Did my first practice in my new apartment here in Idaho this morning. I did full primary to Sharath's led primary CD. When I first woke up, I was feeling rather anxious about the many things that need to be done and seen to in my new place and role, but I felt so much better after practice. As I came out of savasana, I felt both very grounded and very powerful at the same time. Or, as Grimmly puts it in a recent post, I felt "outward facing as if I could take on the world at the same time." There's also something about hearing Sharath's familiar voice over my computer ("Janu Sirsasana ye-A, Supta inhale...") that was very comforting and reassuring at the same time. It felt like he was saying, "Just follow the vinyasa count, trust the practice, and everything will be okay." That I find Sharath's voice and instructions to be very familiar and reassuring is actually pretty funny, if you think about it, considering that I've never even met him. I wonder how it would be like when I finally meet him.

Anyway, I thought you might also be interested in seeing my practice space. When I first stepped into my apartment yesterday, I was very pleasantly surprised to see that the kitchen and dining area actually had hardwood floors. A very pleasant change from the totally-carpeted apartments I have been living in till now. When I saw this, I decided immediately that I'm going to make the dining area my practice space. It also helps, of course, that I don't have a dining table to take up the space with. This is how my practice space looks like:


It might not look like anything special, but I can't tell you how happy I am to be able to practice on a hardwood floor after all these years of dealing with squishy carpets. Oh, and you may also notice the trashcan in the corner. Definitely not a regular shala fixture :-) Well, may the practice be the spiritual trashcan that disposes of all my poisons (samsara halahala). Om...

I'm going to have to keep this post short and sign off here, as I have some exploring of Pocatello to go do. More later.


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Video of me doing primary series to Sharath's count

Here it is, finally: My first-ever Youtube video! After waiting for a very, very long time to get it uploaded (see previous post), it finally, well, uploaded! I am both happy and relieved at the same time.

In the video, I am doing primary to Sharath's count, from Paschimattanasana all the way to Utplutih. I decided to leave out the standing postures, because I didn't have enough space on my memory card, and also because I can't bear to watch myself dance in UHP :-)

The whole thing is 45 minutes, so please don't feel like you have to watch all of it. But I hope you like it.





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Phantom Ketchup Syndrome, Sharath on food, a mini-treatise on cell phones

I've never been much of a holidays celebrator; I've always seen holidays as just a time to do pretty much what I always do, except at a much slower pace. I know, boring right? But this holiday season so far has been quite interesting; so far, it has been a season of indulgence, not necessarily in good ways. But it's too early to tell, one way or the other. But rather than pass any value judgment on what has happened, I'll just try to tell it like it is, and you can decide whether it's a positive or a negative development.

Food

The holidays are traditionally a season of (over)eating a lot, and the same thing seems to be happening to me. Last night, we went to this really nice bar downtown, where I had a wild rice burger (wild rice seems to be indigenuous to Minnesota, as I understand it), some mushrooms, lots of fries with lots of ketchup, and two large glasses of beer.

Maybe I didn't drink enough water before I went to bed last night, but when I woke up this morning, I could actually vaguely feel the after-taste of ketchup lingering in the back of my throat; or maybe the whole thing is just a psychological after-effect (Phantom Ketchup Syndrome?). Very weird feeling. In any case, I decided that over-ruminating over over-eating wasn't going to do anything for me. So I promptly put Sharath's led primary CD into my computer, and started doing led primary to his count. Lately, it seems that doing led primary to his count has become the fall-back of choice for days when I am either physically or emotionally not in the best practice state of mind/body. It went surprisingly well this morning. Didn't feel the sluggishness from the fries or ketchup or beer that I was expecting to feel. The thing is, after you have been doing primary to Sharath's count for a while, you don't even think it's really that fast-paced, even though he really does get you through primary in 65 minutes. It's kind of like you just jump on the speeding train, and let the train kind of pull you along to your destination. Probably not a very good analogy here, because unlike being on a speeding train, you actually have to do some work here. Oh well.

But speaking of Sharath and food, here's what he said about food in a recent conference. According to Catherine Haylock's notes from the conference, Sharath says:

“You eat once a day you are a yogi, twice a day a bogi, three times a day a rogi and four times a day you go to the graveyard :)”


Catherine then goes on to report Sharath as saying:

"Too much food is not good, the body needs to work more and if we keep doing this, over the time our body wears out because of the extra work and will get sick.
Food is very important and we should always be conscious about what we eat and how much we eat. If we eat too much dinner, the practice in the morning will be difficult. If we consume too much food our mind isn’t sharp, you are getting dull and you can’t progress. A yogi eats only once a day."


Damn! I'm definitely a rogi! Btw, does anybody know what a rogi is?

Technology

The other area in which there has been indulgence is in the area of technology; specifically, cell-phone technology. I've always been very conservative when it comes to cell-phones. I don't have an I-phone, or whatever the most fancy cell-phone out there right now is. I don't even have internet on my phone. For the past couple of years, all I've had is one of those Samsung slide-phones that are only good for making/receiving calls and taking pictures. Just the basics, in other words. I've never seen the need to squeeze more features into a little piece of metal. Others may differ, I understand...

Yesterday, I had to go to the AT&T store to get a new cell-phone charger, because I had misplaced mine. That was when I found out that my phone is so ancient that they don't even make or sell the chargers for it anymore! Damn... So I was "forced" to upgrade to a newer phone, just so I can have a chargeable phone! I managed to get the least fancy upgrade; some kind of phone which slides sideways, which makes it ideal for texting. Well, I don't have much use for anything like this, since I don't text much. But I got it anyway, because I needed a chargeable phone. (Oh, and it's purple, which happens to be my favorite color...) And I still decided not to have a data plan (i.e. internet) on my phone. I know, I'm really old-fashioned this way; I really believe in keeping a phone a phone, if this makes any sense.

I just realized that you probably aren't very interested in my views on what a cell-phone should or should not be. I also realize that Sharath probably has nothing to say about cell-phones (although I have heard from various sources that he is a lover of gadgets and technology). In any case, I suppose I should sign off now, to prevent myself from slipping into more unnecessary rambling.

Happy Holidays.  


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Another congested full primary

I did full primary to Sharath's led primary CD again this morning. Like the last time I did Sharath's led (see this post), this morning's practice was another congested one. Except that I was being very stubborn this morning; I wanted to keep to the vinyasa count and the pace so badly that I didn't even bother to pause to blow my nose. It would've been pretty gross if you were watching me practice this morning; from around Garbha Pindasana all the way to Utplutih, snot was coming out my nose, and I just let it flow. Surprisingly, I didn't drown in my own snot; somehow, I was able to find the space in my respiratory system to continue breathing and moving. It certainly wasn't comfortable, but I like to think that it forced me to find a deeper space to breath out of. And the really interesting thing is that, immediately after practice, I blew my nose, and was totally congestion-free after that!

Anyway, this also makes me wonder: What do people in Mysore do if they are congested during led primary? I mean, do people just get up in the middle of led to go to the bathroom? Or do they just continue, snot and all? Anybody know?

In preparation for my move to Idaho, I think I'm going to stick to just doing primary for the next few weeks. My teacher (PJ Heffernan) told me that Sharath told him that it is a good idea to do primary only when you are moving to a new place, and to stick to primary only for two weeks after you move to the new place, in order to get used to the energy of the new place. Sounds like good advice; I'll take it. Which means there will be no adventures in Karandavasana impotence for the next few weeks.  


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A congested, feverish full primary; interesting yoga times; Happy Birthday Mr Iyengar

I was feeling quite under the weather this morning; before I went to bed last night, I took my temperature, and it was 99.8 F. For most of the night, I was in this state of half-sleep in which one part of my body wants to go to sleep, but the other part would wake itself up every other hour, ostensibly because it wants to go to the bathroom (I think needing to go to the bathroom is my body's way of telling me that it doesn't want to go to sleep :-)).

As a result of this disturbed sleep, I decided to allow myself to lie in bed for a couple more hours this morning. Not that it helped much; I still felt very congested and under the weather when I finally got out of bed. And then I was faced with the question: To practice or not to practice? I've heard a few people say that it's not a good idea to practice when you have a fever, but I had this feeling that doing some practice and sweating it out would do me some good. So... guess what? I popped Sharath's led primary CD into my computer, and started doing primary to his count. If you've ever practiced to Sharath's count before, you'll know that it's like a bullet train. His vinyasa count is precise and brisk, and the whole practice takes only 65 minutes. Probably not the best thing to be doing when you are feeling under the weather, but I felt that it would be easier for me to practice in my unmotivated state if I had somebody counting the vinyasa for me. So I decided to do it.

The whole thing went quite well. My breath was shorter than usual, and I was a little more breathless than usual by the time I got to the closing invocation. But I survived. Immediately after the closing invocation, I went to my bedroom, and lay on the floor in savasana covered by a blanket. And I actually feel better now, even though I'm still quite congested.

As I said, doing full primary in 65 minutes is probably not the wisest thing to do when you have a fever. But there's something about Sharath's voice that is really reassuring, and I get this sense that if I follow the vinyasa count to the best of my ability (even though I still can't get into Mari D in one breath), everything will be just okay. I've also discovered that my relationship to Sharath's led primary has changed over the years. When I first started practicing to his count a couple of years ago, I was breathless and scrambling all over the place just to keep up with his count. It's still challenging now, and I still get breathless after Utplutih, but I sense that underneath the breathlessness is something... deeper; a deeper sense of being centered, a deeper sense of being powerful, if that makes any sense.

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In other news: I don't usually troll the web for things of this kind, but this was actually posted on Kino's Facebook page, so I couldn't help noticing. Apparently, this yoga blog out there (definitely one of those 4.0 blogs...) has come up with a list of 10 Amazing Yoga Teachers. Kino is on it; rightfully so, because she is amazing. But it's quite funny that other teachers who I personally wouldn't put in the same league as Kino are also on this list (I won't name any names here; you can go look yourself, and decide if I'm right). But then again, I suppose many people out there probably wouldn't think that Kino is amazing either, in light of the not-so-recent Kinogate and Shortshortsgate (remember those "scandals"?).   

Oh well. Goes to show what interesting yoga times we live in...

***************

In yet other news: B.K.S. Iyengar turns 94 today. Happy birthday, Mr. Iyengar! Since this is supposed to be an Ashtanga blog, let's take a look at this video from 1938, which shows him performing what looks suspiciously like the third series:


Pretty cool, don't you think? Well, I guess I'll leave you with this; got to attend to a bunch of things. More later. 



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Body not dancing, mind dancing!

"You gotta dance. As long as the music plays... Don't even think why."

Haruki Murakami, Dance Dance Dance

The above advice was given to Haruki Murakami's protagonist in the novel Dance Dance Dance by another character. It's hard to explain the context in which the advice was given. As with many of Murakami's works, trying to explain one thing properly would involve explaining a highly complicated plot with many surreal and supernatural elements; so if you want to know the exact context, I highly recommend you read the novel, which I think is one of Murakami's better works (all of his works are good, in my opinion, but this one is, well, better).

In any case, there is at least one area of our practice to which this advice definitely does not apply: Utthita Hasta Padangusthasana. From what I've heard, one of Sharath's most-repeated exhortations in UHP is: No Dancing! If you are new to Ashtanga, "dancing" in the context of UHP refers to the action in which the Ashtangi, struggling to keep his or her balance, repeatedly sways from side to side or even hops around a little bit in order to prevent himself or herself from toppling over. Indeed, if you are new to Ashtanga, you may be a regular dancer even if you don't know that this is what the phenomenon is called.

Actually, you don't have to be new to Ashtanga to be a dancer in UHP. I've been a full-time Ashtangi for more than three years now (which probably still counts as "new", in the bigger picture), and I still dance in UHP. This morning, for instance, I was dancing so much on the second side that my left heel crashed onto the kitchen counter with a resounding thud; well, you might also say that I gave the kitchen counter a heel kick (the martial arts applications of yoga asanas... :-)). The kitchen counter was unharmed, but my heel certainly took a beating...

Over the last couple of years, several people have given me different perspectives on what causes dancing in UHP. Claudia told me some time ago that the antidote to dancing is simply Sharath's presence. Apparently, when you are in Sharath's presence (whether at the KPJAYI or during his world tour), you are so nervous and/or under so much pressure to perform that your legs and feet mysteriously become stronger and more able to keep your body in one point in space. I don't want to sound like a crazy brain-washed fanatic (but then again, I am an Ashtanga Fundamentalist...), but I can't help feeling that there is some truth to Claudia's view. For instance, whenever I do Sharath's led primary CD, I always find myself using so much more lower leg power to stabilize my supporting leg in UHP. The result is that (a) my UHP is always so much more stable when I am doing led primary to Sharath's count, and (b) my calves always ache for the rest of the day. I guess (b) may not be such a good thing, because if my calves are aching, this may be a sign that I am not using enough bandhas/core strength to hold the pose together, and am instead using sheer leg power. Definitely something for me to work on here. But it seems that there is some truth to what Claudia is saying here. I mean, if simply hearing Sharath's voice is enough to cause my UHP to be more stable, imagine what it would be like if I am in his presence? :-)

Kino, on the other hand, believes that dancing is often caused by a simple anatomical reason: Lack of external hip rotation when one takes one's leg out to the side in UHP B. More precisely, it is caused by the greater trochanter's not dropping down enough when you bring your leg out to the side. Which leads to instability in the posture. Which leads to dancing. The solution, then, is to drop the greater trochanter of the leg that is going out to the side more. Easier said than done, but it sounds right.

Actually, Kino also has another angle on UHP. In one of her videos, she says that UHP is an exercise in hand-eye coordination. As such, it boosts brain capacity and increases brain function. Here's the video:


Interesting, don't you think? Well, if being able to perform UHP well means that one has good hand-eye coordination and good brain capacity/function, wouldn't that mean that if one regularly dances in UHP, one must have a "dancing brain"? Or, to modify one of Guruji's famous sayings, "Body not dancing, mind dancing!"   


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Some thoughts about the possibly cyclical nature of the Ashtanga practice, based on the vinyasa count

I did full primary to Sharath's led primary CD this morning. There is something very calming about doing the practice to his precise count, from the dedication to Guruji that he chants at the beginning, to his beautiful enunciation of the cadence of the opening and closing mantras, and perhaps most importantly, simply letting his vinyasa count guide and move my practice along. No thinking needed, just breathe and do whatever asanas is called out in the moment.

As I was doing the asanas to Sharath's count this morning, a thought occurred to me: There is a very interesting sense in which the practice is not linear, but cyclical. As many of us who have been doing this practice for some time know, Ashtanga has often been criticized by detractors for being very linear in nature, both with regard to the linear progression of the way the postures build on one another, and also with regard to the linear nature of the way the asanas are supposedly performed: Forward bending, backbending, even twisting seems to presuppose fixed lines of motion through space. Which may be why Anusara, with its emphasis on spirals, is more appealing to a lot of people, at least until the fall from grace of Juan Amigos earlier this year...

But I digress. As I was saying, it occurred to me this morning that Ashtanga is not linear, but is in fact cyclical in nature. We can see this if we pay attention to the vinyasa count. Everything "resets" itself at Ekam, so that in the seated postures of primary, you always jump into a posture at Supta. This cyclical nature is even more obvious in the finishing sequence: In the three Urdhva Dhanurasanas, for instance, one lifts up into the backbend at Nawa, brings the head back down to the ground at Desa, and then lifts back up into the backbend at Nawa again. I mean, you would think that if the intention were for the practice to be truly linear in nature, one would be lifting into the second backbend at Eka-desa, and into the third backbend at Trayo-desa...

The same pattern can also be seen in the shoulderstand sequence. Halasana is at Ashtau, if I remember correctly. And the next pose, Karnapidasana, remains at Ashtau. Again, this seems to suggest a cyclical, not linear progression.

Or maybe I'm just reading too much into the nature of the practice from the way the vinyasa count goes. Maybe the vinyasa count doesn't really say anything about the nature of the practice one way or the other. But I can't help feeling that I'm on to something here. Am I? If I'm not (and you have good reason to believe I'm not), just let me know. I'm okay with being wrong :-)  


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Lightness and strength in Navasana; Rambling about rambling

This morning, I did full primary to Sharath's led primary CD. Gosh, doing full primary to Sharath's vinyasa count is the asana equivalent of "getting called bullshit" upon, to borrow a phrase that Patrick used in a comment on my previous post. Sharath's count is so precise, there's no room to faff or even to take a couple of extra breaths for the more difficult poses of primary (like Mari D, for example); you just try your best to get as deeply into whatever pose is being counted, hold the pose for the prescribed number of breaths, and then move on. Hmm... but how traditional is Sharath's vinyasa count? Well... can we not go there? :-)

Over the last few Saturdays of doing Sharath's led primary, I have made an interesting discovery: My Navasana now feels a lot lighter and stronger compared to a couple of years ago. I can extend my knees fully throughout all five navasanas, and it's only in the fifth navasana that I start to feel this burning sensation in the quads, which is probably an indication that I am no longer engaging the bandhas to hold the pose, but am holding the pose through sheer quad muscle power. Moral of the story: The secret to lightness and strength in navasana (as in pretty much any other pose, really) is bandha engagement. If I recall correctly, I think Kino also brought this up in passing when she was talking about engaging the bandhas during one of her workshops that I attended. She was talking about engaging the bandhas, and somehow the topic of navasana came up. She said something to this effect, "Just try holding navasana using only your quads", and then laughed. Translation: Holding navasana using only quad power... No good. Holding navasana using bandha engagement... very good.

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I guess I'll try to keep this post short, because I really don't have that much more to say right now. Or more to the point: I can't say more without possibly lapsing into a state of rambling. Speaking of rambling, somebody left the following anonymous comment on my recent post about Tradition Guilt:

'Normally, I am a huge fan of your blogging, but this was alot of rambling. Perhaps you should just "do your practice". I will continue to follow your blog.'

I don't normally go out of my way to reproduce readers' comments in my posts, but it's being a while since I've received such a... pointed comment, so I think this is worth sharing. Honestly, I have no objective way of knowing if or when I ramble in my writing. But judging from the way this commenter prefaces his or her remarks ("Normally, I am a huge fan of your blogging..."), I like to think that rambling is the exception rather than the norm in my writing. Or maybe I ramble all the time, but it just happens that that post about tradition was a much worse case of rambling (i.e. "alot of rambling") than usual.

As I said, I've no objective way of knowing whether and how much I ramble (and if I'm actually rambling right now, even as I am writing this...). As they say, a doctor who tries to treat himself has a fool for a patient. Perhaps in the same way, a writer/blogger who tries to critique his own writing/blogging has a fool for a student. But this whole thing got me curious enough to look up the definition of rambling online. Here's the first definition I found:

"(of writing or speech) Lengthy and confused or inconsequential."

Yikes! So I might be writing in a lengthly and confused and inconsequential manner all this time without knowing it! All of you must be geniuses to be able to understand and parse my writing, and even comment on my posts... I take my hat off to you.

So what to do? If I'm really a rambler, I should seek help, right? I obviously don't want to be a lifelong rambler. Well, here are a few possible things you can do:

(1) The next time you catch me rambling, kindly point this out to me (either in a comment or in an email), and maybe also offer me some guidelines as to what would constitute "not rambling";

(2) You can also pay me every time I write something that meets these guidelines (positive reinforcement). Maybe I should set up a donation button on this blog for this purpose? Or is it not yogic to seek worldly rewards for one's blogging? But hey, good writing (as in the thoughtful, not-rambling kind of writing) takes a lot of work, you know. If good carpenters get compensated for building wonderful chairs in which people may repose their butts, why shouldn't good bloggers/writers be compensated accordingly for "building" good writing in which people may repose their minds and souls? I've always believed that writers are the carpenters of the soul. But okay, I think I'm rambling here, so I'll stop.


(3) You can simply vote with your electronic feet, and stop reading this blog altogether. This is, of course, a much simpler thing to do than either (1) or (2). But if you do this, we all lose: I lose readers, and you lose the opportunity to enjoy some good not-rambling writing, and no value is created in the world. 

Wow... that was a lot of rambling about... rambling. More (rambling?) later.   


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Doing Led Primary to Sharath's count; Ashtanga, Kabbashtanga, and the separation of church and school district

This morning, I did full primary to Sharath's led primary CD. Sharath's led, as many of you know, is done in strict accordance with the traditional long vinyasa count; which means that in Supta Pangusthasana, for instance, he counts all the way up to Chatur-vimsatihi (twenty-four), and he gets through the whole of primary in a brisk 65 minutes.

This morning was the first time I had done Sharath's led in more than a year. After I injured my left knee around this time last year, I didn't dare to do Sharath's led again for a long time. For one, I didn't think my knee would appreciate trying to get into lotus or half-lotus in one or less vinyasa count in the state it was in; of course, I could have modified and did all that good stuff, but I figured that I might do better modifying while not going in strict accordance with the vinyasa count, to give my knee a little more space and time to heal.

But this morning, I finally mustered the courage to take Sharath's led CD out of its place in the cabinet and put it into my computer. I was a bit nervous, and told myself I'd do my best to keep up with the count, and maybe modify here and there if necessary.

It turned out that no modification was necessary at all. I think that over the last year of healing, my body/mind had somehow found a way to open and engage the necessary muscles while getting into lotus or half-lotus, so that this morning, I found that I could get into half-lotus in all the relevant postures without feeling like I was pushing or rushing myself into them, and still somehow keep to Sharath's count. I also tried out my floating techniques in Suryas A and B, with very interesting results. It turns out that if I lift my feet off the ground in Trini first before floating back into Chatvari, I actually have to stay suspended in that position with my feet off the ground for an entire breath while waiting for Sharath to call out "Chatvari" (duh...). Now, a full breath might not seem a long time, but it kind of is if you are really engaging your bandhas to generate the lift necessary to keep your feet off the ground.

But there is an upside to this as well. While lifting off (and staying lifted) in trini position may seem like a lot of work from an observer's point of view, from my point of view, engaging the bandhas so intensely so early in the practice actually sets a good rhythm of moving from the center for the rest of the practice. As a result of this early bandha engagement, the rest of the practice comes quite a bit more easily even at Sharath's pace, because it becomes easier to keep the bandhas engaged and to continue moving from the center once you start doing so from the very beginning.

Still, not having done full primary to the strict vinyasa count for such a long time, there were a couple of things that threw me off for a loop. For instance, in Marichyasana C and D, I forgot that according to the traditional count, you are supposed to get into the posture immediately after you jump your legs through in Supta, whereas in almost all the other postures, Supta is when you jump through into the posture, and then you have Ashtau to try to get your legs and hands snugly into whatever position they need to be in before Sharath starts counting. Come to think of it, I don't think I have ever been able to get into the bind in Mari D on the Supta count; I always need an extra breath to get the bind. Which means that by the time I am actually in the posture, Sharath has already counted "one". And in my experience, different teachers kind of find different ways to deal with the strictness of the vinyasa count. For instance, the few times I have done led primary with Kino, she always kind of fudges the vinyasa count a little when it comes to Mari D, and gives you an extra breath or two to get into the posture before she starts counting. I know a couple of other teachers out there who do this too. But Sharath is Sharath: He is the lineage-keeper, so he has to be strict about the count, even in Mari D; whether or not I can keep up with him is well, my problem.

But all in all, Mari C and D aside (actually, even these two postures were wonderful... so what if I can't bind Mari D within the Supta count?), the rest of the practice was very refreshing and brisk, like a double-shot espresso. When I first started doing full primary to Sharath's count a couple of years ago, I always felt really winded at the end of the practice. This morning, a couple of years later, I was still a little short of breath after Uplutih, but there was also this general feeling of being refreshed and recharged, just like the sort of feeling one gets after downing a double shot of espresso. I think the single biggest difference was the fact that I had engaged the bandhas more and moved more from the center from the beginning of practice. Ha! This gives a new twist to Sharath's famous saying: "Got bandha, no need for coffee!"

So all in all, even though I didn't make it to Mysore this year, I like to think that if and when I do, I'll be a little more comfortable doing led primary with Sharath :-)

*****************

There is another interesting thing about doing led primary with Sharath. At the beginning and end of practice, he doesn't just do the opening and closing invocations. Before practice, he also does this invocation honoring the guru (can' t remember how it goes) before launching into the opening mantra. At the end of practice, after the closing mantra, he also chants "Sahanah Vavatu" and this other chant to Ganesh (I also can't remember how exactly this goes; there is "Ganapati" in it). Which is very nice. I did whatever chants I could follow (the opening and closing mantra, and "Sahanah Vavatu"), and just listened along to the other chants that I didn't know.

All of this brings to mind this recent post by Steve over at the Confluence Countdown about the complaints launched by a group of parents against the Encinitas Union School District concerning the new yoga program launched recently in schools within the district as a result of a $533,000 grant from the Jois Foundation. Despite statements from district officials that there was no religion or religious indoctrination involved, seven district parents and a lawyer have insisted that the program pushed Hinduism on children and violated religious freedom.

Given that I wasn't actually present when the yoga classes for the children were conducted (duh!), I probably shouldn't be saying anything one way or the other about this situation here. But I'm going to, anyway, because I love sticking my head (and neck) into all things Ashtanga :-) This is what I think: If the teachers teaching the classes (who, I take it, are probably sponsored and affiliated with the Jois Foundation) were teaching it in the exact same way in which they would teach a regular led Ashtanga class at Jois Yoga or some other traditional shala (with the opening and closing chants, and all that good stuff), they would be crazy and naive not to expect any push back or resistance!

I know, this is Encinitas, but Encinitas is still in America, and America, as we know, is a place where people take the idea of separation of church and state (or in this case, separation of church and school district) very seriously. To get a sense of where I'm coming from, imagine this: Suppose a bunch of Kabbalah followers were to invent a series of exercises that they claim were very good for your mind and body. Let's call this system of exercises "Kabbashtanga." Suppose, further, that Kabbashtanga were to become the next big thing in the spirituality business, becoming even bigger than Ashtanga, because Madonna has now switched allegiances from Ashtanga, and has become the poster-girl for Kabbashtanga; presumably, she now has a Kabbashtanga body:

Check out these Kabbashtanga biceps!
[Image taken from here]

Now suppose the Kabbashatanga exercises also open and close with some obscure chants in some ancient Hebrew tongue that had long been lost; a group of senior Kabbashtanga teachers claim that this tongue was revealed to them in a collective vision as a result of their dedication to the Kabbashtanga practice. They require everybody to do these chants at the beginning and end of every practice, in order to honor the spirit and tradition of Kabbashtanga. However, they also claim that doing these chants is not religious, and does not mean that you are converting to Kabbalah. It's just, well, honoring tradition.

Now suppose you live in Encinitas (or anywhere in the United States, for that matter). Your child is enrolled in the local school district, which has started a Kabbashtanga program as a result of a generous grant from Madonna and her fellow Kabbashtanga enthusiasts. Would you feel secure that the doctrine of the separation of church and school district has not been breached? I don't know, maybe you would; maybe you are one of those very open-minded people who are perpetually generous of spirit and mind, and who is willing to put your faith in the good sense of the school district officials. But surely we cannot expect every single parent to have this same attitude; surely it would be understandable if at least a few parents were to become a little suspicious and uneasy that Kabbalah may have been force-fed to their children...

I'm guessing you can see the parallel here with the Ashtanga program in Encinitas. Like you, I know that yoga is not a religion, and that chanting the opening and closing chants does not turn one into a Hindu (is Hinduism even a religion, in the first place? Well, I can't go into this here; this would be too much of a digression...). I have also had my share of frustrations with getting people to do the opening and closing invocations in the practice (see, for instance, this post). But let's face it. We live in this funny land called America. And in America, if you try to get people to chant something which is not in English in a secular setting (which, I'm almost certain, is what transpired in that yoga program in Encinitas) and which, to add insult to injury, translates into something along the lines of prostrating to a serpent with a thousand white heads, I'll be damned if you don't get any resistance. In fact, I'm actually a little surprised that only seven parents complained.

So what to do? In the grand tradition of offering unsolicited advice that this blog has increasingly become known for, let me suggest this: When in Rome (or in America), do as the Romans (or Americans) do. Or more to the point: "Render unto Caesar the things which are Caesar's, and unto God the things that are God's" (Matthew 22:21)

Why am I quoting the bible here? Well, replace "Caesar" with "the state", and "God" with "Ashtanga" (even though Ashtanga is not a religion), and you will see my point. If making a few changes and removing a couple of things (like, for example, Sanskrit chants about a serpent with a thousand white heads) makes Ashtanga a little more accessible and palatable to people in a secular setting and avoids unnecessary conflict, why not do it? If these people then want the "full" Ashtanga experience, they can then go on to take classes at a traditional shala, and maybe listen to Elder Miller expound further on thousand-headed serpents and that funny little snake that lies sleeping at the base of the spine, waiting to be awakened by our wonderful practices. This way, everybody wins. What's not to love about it? 

Well, I guess I should sign off now. When I start quoting the bible on a Saturday afternoon, I know I've gotten into a serious sermonizing mood. And who wants to hear anybody (even an Ashtanga Fundamentalist) go on and on like this on a beautiful Saturday afternoon? So I'll leave you with these thoughts. If you have anything to say, I'll love to hear from you, as always.             


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