Showing posts with label backbending. Show all posts
Showing posts with label backbending. Show all posts

More on backbends; a couple of ideas on making a lot of money in the yoga world

Practice this morning was good. I decided to work more on backbends. In many ways, this wasn't a very deliberate decision on my part. Ever since my left knee fell out of favor with the Ashtanga gods, I have more or less unconsciously been looking for other things to work on in my practice; things that don't involve going into padmasana or doing fancy stuff with the knees. Here's another way to think about this: If you think of the effort and energy that you put into your practice as a laser beam, when you take the beam off one area of the practice, you more or less naturally end up refocusing the beam on some other area of your practice. Somehow, without quite being aware of it, my "laser beam" has refocused on back-bending in the last two or three weeks.

For one, over the last two or three weeks, I have been putting in more effort and intention in working on the second series backbends. In my view, backbends are not so much about working harder as they are about working with more intention, trying to see if I can breathe deeper and more evenly in them. This morning, for instance, I felt that my breathing in Laghu Vajrasana was deeper and more even than it usually is. I also had an interesting breakthrough in Kapotasana. As usual, I started by getting on my knees and hanging back to open my chest before diving for my feet. When I dove this morning, my right hand found my heel immediately! Which was a nice surprise; up till now, I always had to land either on my toes or my mid-sole, then walk the couple of inches to the heels.

In the dropbacks, I worked on doing two or three hangbacks before actually dropping back. I succeeded in extending my arms towards the ground during the hangbacks, so that my fingertips were suspended just a few inches off the ground. When I finally dropped to the ground, I touched my heels with my fingers, but still couldn't get into Chakrabandhasana. Will keep working on this.

*************

You have to admit that it is not easy making a living as a yoga teacher these days. With all these teacher training programs churning out armies of RYTs everyday, a yoga teacher who aspires to the heights of yoga rock-star-dom definitely has the odds stacked against him or her. Fortunately, recent developments in the yoga world offer us a couple of good ideas to beat these odds:

(1) Get in touch with an up-and-coming reality TV show participant, and offer to produce and star in a naked yoga production with him or her. You can't ask Kim Kardashian, though; she's already been there, done that. (I'm not linking to that infamous video here, but it's probably on, like, a million blogs and websites by now, so you should have no trouble finding it if you need, uh, inspiration.)

The nice thing about this project is you don't need much start-up capital. All you need is a video-camera, a couple of yoga mats, and your (and your reality TV show participant's) naked body. It doesn't matter if all you have is a hand-held camera; the hand-held effect will give an authentic, on-the-spot feel to your production.

The drawback to this project is that you have to be able to bear seeing yourself naked onscreen... Well, actually, it's probably more correct to say that you have to have a body that you think others will be able to bear seeing naked onscreen. Do you have such a body? Well, there's only one way to find out...

(2) If you are not into exposing yourself, you can try selling merchandise. In his recent post, Kevin writes about this back-bending tool that his friend's landlord has made over in Mysore. It's supposed to be really helpful for deepening your backbend, especially Kapotasana. Here's how it looks like:

  Image taken from Kevin's blog

I have this feeling that this back-bending tool--let's call it the BackbendiMatrix--is just waiting for somebody with an enterpreneurial spirit to take it, patent it, and make millions selling it to Ashtangis who are struggling with Kapotasana. Besides making a lot of money, you will also gain the universal unqualified gratitude of millions of Ashtangis worldwide. That's quite a bit of good karma, don't you think? 

But of course, do remember to give Kevin's friend's landlord in Mysore a fair share of the millions that you will be making (remember Asteya, or non-stealing) from the BackbendiMatrix.

Well, these are a couple of money-making ideas that I have. If you want more ideas, check out sereneflavor's latest post.

You may be wondering: Since you have all these great money-making ideas, why aren't you using them to get rich? Well, for one, I really don't have a body that you can bear seeing naked onscreen (trust me, I know...). As for the BackbendiMatrix... ha! Maybe I need to make a trip to Mysore soon...
 



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Beyond the Edge and Powerful Surrender Workshops

I'll be hosting two workshops in the coming weeks at Yogayama! I challenge those who can make it to join in. On Sunday, November 20th, Beyond the Edge, will be an informative workshop on the fundamentals of Arm Balancing. On Sunday, December 4th, Powerful Surrender, will be an intensive on the dynamics of backbending. The times for both workshops will be from 13:00 - 15:00 (1-3pm).



Beyond the Edge: Exploring the Art of Arm Balancing
Sunday, November 20, 13:00 - 15:00
Yogayama, Stockholm

When delving into arm balances there often come feelings of uncertainty as well as the fear of stepping into the unknown. These feelings are natural, however; we may never realize the inherent strength within if never exploring our edges.

Experience the exhilaration arm balances bring, in a playful and explorative way, while learning the basic elements and foundational techniques to successfully build an arm balance practice. Proper alignment, strength building, as well as, energizing the subtle body will be addressed in this inspiring and informative workshop.

Journey beyond the edge and feel that anything is possible!



Powerful Surrender: Backbending with Strength
Sunday, December 4, 13:00 - 15:00
Yogayama, Stockholm

The paradox with backbending is we must be strong and soft at the same time, uniting the energy of strength and surrender. Learn the basic components of backbending with integrity to the natural flow of the body. In addition, understand and experience the concept of active release. When actively releasing, we use grounding mechanisms to deepen, while fully utilizing the breath. Learn the fundamental techniques that allow the body to find its depth and strength while at the same time letting go. 





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Stretch Open Release


The scary stuff and the beautiful stuff both come in practice. Our work is to relate with awareness and compassion.”  - Sharon Salzberg

Dropping back isn't always the easiest bridge to cross, but definitely worth the effort. I've seen it time and time again, when students begin their journey dropping back, to then learn the posture on their own, it has the tendency to awaken a new sense of confidence and stability. Coordinating a number of elements all at once, it is a feat not only for the body, but for the mind.

When face to face with a difficult asana, I like to digest it into little parts or small bites. Easier to assimilate. When approached in this way, areas of challenge feel doable instead of impossible; never missing a step along the way. If you are about to embark on dropping back with little or no help from a teacher there is no shame in approaching it at the wall. Here you can drill the concept of grounding down through the legs as you, stretch, open and release, bringing your hands flat to the wall about shoulder height. Stay here and breathe for about five breaths, further establishing your connection to the floor, and actively pushing the hands into the wall, hips opening forward. Then after 5 full, complete breaths, while gazing in between the hands, lean the hips forward, drive the energy downward, head back and passive, stand up on the inhale. Arms will follow overhead. On the exhale bring the hands back down over the heart. A simple exercise to develop the body awareness to then learn to drop back fully with assistance from a teacher.

Okay. Let's continue to take it in small bites:

  • Spacing from you and the wall is important. You don't want to be too close or too far, for obvious reasons. Take time to roughly measure, by facing away from the wall, turning the torso, to then lightly brush the wall with your finger tips, standing slightly wider than hip width apart. Nothing more, nothing less.

  • Find your center. Ground yourself, or better stated, send consciousness downward through the legs, feel firmly connected through the feet, standing just shy of wider than hips. Bandhas should be activated. The more connected to the legs the more open and free the upper body will feel. It works hand in hand. Stand in this way placing the hands together in front of the heart. Breathe.


S T R E T C H  




  • Next, we aren't even concerned with dropping back yet. First, while continuing the active establishment of the legs downward (I know I keep driving this point home, bear with me), we must stretch the top half of the body upward. Everything active, from the tips of our toes to the ends of our fingers. I know there are teachers out there who like to keep the hands held at the heart in a more passive stance. This is okay. There are definitely other approaches, but through experimentation I have found this method to be more energetic and requires more overall strength when stretching the arms overhead. I don't claim to have the better approach, just simply one that I have found to be more energetic in nature. Experiment and you decide.
  • When stretching upward, follow the hands with your gaze inhaling deeply, as you bring the palms overhead. Feel the ribcage lift, feel the sides fo the waist lengthen, pull the belly in gently to support the lower back, perineum lifting, another way to visualize and connect to the bandhas.


O P E N 



  • Exhale. Start your decent backward once the inhale is complete stretching upward, creating spaciousness in the body. Move the hips forward, follow the hands with your gaze, keep the hands pressed together. The only concern here is to open. The hips move forward as you stretch the upper body backward. 


R E L E A S E 



  • At some point you should see the wall. When the wall is visible open the hands and drop back to only shoulder height. Release. If you place the hands on the wall above shoulder height then simply walk the hands down, but no further. Breathe, 5 complete breaths maintaing your gaze between the hands. Keep the breath steady and full. Yes, it will be more challenging to breath here, but do your best to send consciousness to every breath, feeling a release as you actively push the hands into the wall (wide finger spread), and charge the legs, again, hips forward. Find spaciousness in the spine with each breath. 


S T A N D 



  • To stand, prepare by sending the energy forward into the hips and down the legs. Keep the head back. Inhale. Lean the hips further forward, energize the legs, and rise, upper body open and relaxed, as best you can, head passive. If available maintain the extension of the arms and continue the stretch upward. When upright, descend the arms downward over the heart. Exhale.


*   *   *



This is a simple prep to eventually work drop-backs with assistance. I have found when students breath correctly, with the accurate technique, while at the same time, becoming acquainted with the proper rhythm drop-backs require, it then doesn't feel so daunting to approach the drop-back, with assistance, descending all the way to the floor. 

Take in each step with full awareness and you'll be amazed at what arises. Best of luck. 





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A few backbending thoughts

Actually, this is a rather misleading blog title; if you take it literally, you might think that I am writing about thoughts that are bending themselves backwards! But of course, as you have probably figured, I am giving expression here to a few thoughts about bending my body backwards. But speaking of which, can thoughts actually bend backwards? Just wondering...

Anyway, about backbending: since I returned from Kino's LA workshop, I have been doing my best to incorporate certain things I learned about backbending into my backbending practice. There are a few things I learned at that workshop that are really relevant to me:

(1) Tilting the ASIS slightly forward and upward helps to achieve sacral nutation, which is very helpful for deep backbending. It is very difficult (maybe even impossible) to backbend deeply when your ASIS is tilted back: Try it if you don't believe this.

(2) Together with tilting the ASIS forward, gently rotating the thighs inward helps to secure a firm base/foundation from which the backbend can flower. Inward rotation of the thigh is not to be confused with squeezing the thighs together: They are two distinct and separate actions, and it is possible to squeeze the thighs till forever without ever getting the thighs to rotate inwards.

Based on this realization of the difference between thigh rotation and thigh squeezing, I have stopped using the block in backbends since I returned from Kino's workshop. As useful as the block may be for certain purposes, there is a tendency when using the block to focus more on keeping the block in place (and on squeezing the block to keep it in place) rather than on the inner-rotating action the block is supposed to help cultivate in the first place. This, I think, is one pitfall of using props in practice: There is always the tendency to focus on the prop itself than on the action the prop was supposed to help cultivate in the first place.    

(3) It is also important to lift up into the backbend and allow the spine space to expand at the same time as you are trying to walk your hands deeper into the backbend. This applies mainly to Urdhva Dhanurasana, but it also applies to other deep backbends such as Kapotasana. Actually, Savannah over at Musings from the Yoga Mat explains this lifting and expanding action very well when she writes:

"For Urdhva Dhanurasana (backbend), Kino asked us to tilt the pelvis forward, lift the stomach and ribcage, roll the shoulder blades down and onto the back while allowing the entire body to assist in the arch."

The general idea is that when you lift and expand in the way described, you bring the entire front and back bodies to contribute to the work of the backbend, rather than simply letting the lumbar spine do all the work (resulting in lumbar compression, which is frequently painful). To show us how to coordinate this action with the breath, Kino had us tilt the pelvis forward, roll the shoulder blades down and bring the chest over the arms on the inhale in Urdhva Dhanuarasana, while walking the hands closer to the feet on the exhale. This same inhale-lift/expand-exhale-walk-forward action can also be applied to Kapotasana, even if the action is a little harder to replicate here because the fact that one is on one's knees gives one a little less room to expand outwards on the inhale. But it is doable, and it does create a good sensation of expansion in the spine; which, if nothing else, counteracts the I-am-feeling-so-claustrophobic-and-I-am-going-to-die feeling that one often feels in intense backbends.

**********************

Are all these things helping with my backbend practice thus far? I guess the answer is... slowly and in microscopic increments. To be honest, when I stood up from Urdhva Dhanurasana this morning, I found, to my horror, that my feet are still splaying out. But as I walked around campus later in the morning, I felt that pleasant aching feeling in my quads. Which I take as a sign that I am at least engaging the right muscles, even if these muscles have yet to become strong or long enough to prevent my feet from splaying out.  I guess I'll keep working on this.          


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Politics are (probably) bad for backbending

This, at least, is my preliminary conclusion after this morning's practice. As I mentioned in my previous post, I have been thinking and talking a lot of politics this past week on this blog. I wonder if this has affected my backbending: Getting into Kapotasana was grueling this morning. Despite hanging for eight to ten breaths, it still took a tremendous amount of effort to get my hands to my heels. Of course, I suppose I could have just not tried to go for the heels and taken it a little easier on myself this morning; but there's just something about Kapo as far as I'm concerned: Once I get my hands anywhere on my foot, there's this powerful drive (is this ego, I wonder?) to walk my hands, inch by grueling inch, until they grab the heels.

What has difficulty in doing Kapotasana got to do with politics, you may ask? Well, here's one theory: People tend to store a lot of tension in their psoas, which results in tight psoas, which results in difficult backbending. And talking and thinking about politics brings up a lot of anger and anxiety, which might lead to more tension and tightness in the psoas.

But this theory doesn't seem to hold water in my case. Bhekasana, which demands a lot from the psoas, came really easily to me this morning. Got both my heels to the ground just like that. So maybe it's not the psoas that is being tightened by all that politics; maybe it's someplace somewhere higher up in the body, like the upper or middle back? I don't know, one way or the other. Just thinking aloud here. Or maybe politics has nothing to do with any of this at all; maybe the body (and mind) is just more stiff on certain days. Oh well. 


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Yoga Tip Tuesdays: Transitioning to Upward Facing Dog

Last week I linked to Nadine's post on pelvic alignment for upward facing dog. This week, more on that pesky SI joint in the tricky transition between plank pose and upward facing dog.

For me, plank pose really sets the tone of your sun salutations, so it's worth spending some time to make sure you are set up properly. If you have SI issues and you naturally tend towards an anterior pelvic tilt (or as Nadine calls it, "sexy back" - LOL), then plank pose is another pose where you want to tuck the pelvis anteriorly. The best way I have found of 'feeling' this is to think about tucking the tailbone while hugging your belly button up towards your spine and holding it there. It's useful to employ the abdominal muscles to stabilise the pelvis in a neutral or anterior tilt, because if you then keep the belly muscles engaged as you start your transition, your pelvis will most likely stay in the right position as well.  (NB: If you have a fairly flat lumbar curve or you naturally tend towards an anterior pelvic tilt, you can just focus on keeping the spine long and the abdominals and legs engaged. Don't try to tuck your tailbone too far in the other direction!)



From plank pose, the next tricky bit is to maintain the pelvic tilt as you come down towards the floor. This is quite challenging because you are fighting against gravity. It takes a fair amount of muscular engagement from the arms, abdominals and legs to get this stability in chaturanga dandasana, and probably years of practice! If you are having SI issues or lower back pain, I recommend working with your knees on the floor until you are able to keep your back stable. Doing it this way still builds a lot of arm and abdominal strength, but makes the transition much easier on the SI joint because it is easier to keep your pelvis tucked and your back "flat" as you come down.


Finally, work on coming up into the backbend. Here again, if you have SI issues or are experiencing lower back pain, I recommend working with cobra pose instead of upward facing dog. A super-safe way of doing cobra pose is to perform the pose with your hands lifted off the floor, like this:


With your hands lifted off the floor, you have to use your abdominal and back muscles at the same time to lift your chest, meaning that the SI joint stays nice and stable. Resist the temptation to lift the chest higher by pushing the hands into the floor and hyper-bending the SI joint!! That is a sure recipe for lower back pain in the long run!

If your back is feeling OK and you are comfortable keeping the abdominals engaged and the pelvis tucked, then work on coming into upward facing dog. Remember, keep the abdominals firm, the pelvis tucked, and the legs strongly engaged in this pose.  This will help to reduce the angle of the bend in the SI joint and help you get a longer, smoother curve in your lumbar spine, as you can see in the pictures below!


How do you practice (or teach) this transition?


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Rāja Kapotāsana to Eka Pāda Rāja Kapotāsana





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