Showing posts with label Idaho. Show all posts
Showing posts with label Idaho. Show all posts

Hot spring Ashtanga talk, the place of alignment in Ashtanga

Yesterday afternoon, I took a break from grading papers and exams, and went with a group consisting of a few colleagues from various other departments to a mineral hot spring about 45 minutes from where I am in Idaho. It's funny how it took me almost a year of being here in Idaho to finally make it to a hot spring. But, as they say, better late than never, right? :-)

It was a pleasant afternoon. We spent more than three hours soaking in the spring and chatting about many things. As the only philosophy person in the group, the "responsibility" has fallen upon me over the last few months to be the provider of witty semi-philosophical banter whenever we meet up (the group of us meet together regularly for drinks at a local brewery). Hmm... come to think of it, this may be one of the main reasons why I haven't been blogging much lately: Perhaps most of the verbal-expressive energies that I previously expended on this blog are now taken up with providing witty banter for those around me, so that there is less wit left to spare for this blog.

Anyway, during those three hours in the spring yesterday, one interesting and unexpected topic of conversation came up... yes, you guessed it: Yoga! I don't normally talk about yoga to my students or colleagues, but sometime in the course of those three hours, one of my colleagues started doing some yoga-like stretches in the water (at one point, she looked like she would probably have gone into the full expression of Prasarita Padottanasana A in the water, if it weren't for the fact that she couldn't breathe underwater...), so I couldn't help remarking that she seemed to be doing some yoga poses. Upon further questioning, it turns out that her sister is a yoga teacher in a major city in the Pacific Northwest, so she knew a few things about the ins and outs and ups and downs of the typical yoga scene in a big city (too many teachers running around all over the place trying to scrap together a living by teaching too many classes, possibly compromising one's own yoga practice in so doing, etc., etc.).

As the conversation progressed, I also let on that I used to teach yoga in a studio in Florida. This prompted my colleague to ask, "Oh... do you intend to teach yoga again sometime in the future?" I replied, "Well, ever since I started doing Ashtanga full-time, I have been feeling less and less qualified to be a yoga teacher." This reply drew puzzled expressions from her and her husband, so I had to basically start from square one, and explain the ins and outs of traditional Ashtanga practice (what Mysore style practice is, how it is different from "conventional" yoga classes, how the only way to really get authorized to teach Ashtanga is by going to KPJAYI and getting authorized, and so on and so forth). I like to think that I succeeded, through this explanation, in conveying to them the spirit and the gravitas of traditional Ashtanga instruction and practice, because they seemed impressed by my dedication to this powerful tradition (at least, I think they looked like they were; I'm not always the best reader of people's facial expressions...).

The husband then asked me whether Ashtanga pays a lot of attention to precise and proper alignment. "Well, we believe that alignment is important, but we don't quite make such a big issue of it as Iyengar." And then, of course, I had to go on to explain to him the main differences in emphasis between Iyengar and Ashtanga.

Who would have thought that my first visit to a hot spring in Idaho would have consisted of me giving a talk on Ashtanga yoga? Life is pretty strange, isn't it? :-)

***********************

Oh, and speaking of alignment, after I came back from the spring yesterday, I went on Kino's FB page, and watched this instructional video by Sharath on the proper vinyasa for Utkatasana and Virabhadrasana A and B that she had posted there. I wanted to re-post the video here, but for some reason, it wouldn't show up on my Youtube search. But the video has been around for, like, a thousand years by now (I just haven't had much time to watch, post, or review yoga videos lately, due to the real-world demands for my services as a wit ;-)), so I'm guessing most of you know which video I'm talking about here. If you don't, just go to Kino's FB page; it's in one of her posts from yesterday.

I'm sure that anybody who has even so much as taken a glance at Yoga Journal covers over the last ten years of that illustrious publication's history would know that Sharath's physical alignment in the video is not going to put him on the cover of YJ anytime soon (and that, I suspect, is putting it rather mildly). And this fact is certainly not lost on Kino's Facebook readers either, as a couple of commenters have quite unceremoniously noted. I don't normally quote FB comments on this blog, but these couple of comments are so hilarious, I just can't resist "sharing" them here:

One commenter writes: "...so different than what we do in America. if I stayed up that high in any of my warrior poses my instructor would be on my ass like a fly on poop. he sure does float forward and back gracefully though."

A second commenter, piggy-backing on the first, continues: "Clearly he is the expert but I'm with the other person, he's on his toes in urdhva mukha svanasana, his arms aren't straight above his head, his knee is past his ankle and not at a 90 degree angle in virabhadrasana and the outside blade of his foot is clearly not down, his utkatasana is really high...it's hard seeing this video when I struggle and have instructors drill proper form in class. Is form not as important as it's made out to be or is the form im being taught not really correct? Or bc he's just so awesome he can afford to cheat a lil? :-)"

Well, Sharath, as we all know, is quite awesome. But even so --and I'm not saying any of this with any intention of starting an Ashtanga-vs-Iyengar blog war here--we still can't deny that if Sharath had performed the same Utkatasanas and Virabhadrasanas in any "conventional" yoga class here in this beautiful land of America, any YA-certified teacher worth his or her salt would have descended on Sharath like "a fly on poop", as the above commenter so eloquently put it (nothing like a good poop reference to get a point across ;-)), and it is doubtful that he would have made it through even the first five minutes of class without being the butt of many a well-intentioned adjustment. 

So, the million-dollar question: Just what is the place of "proper" alignment in Ashtanga? Is alignment also important in Ashtanga, only maybe not as important as in Iyengar? Or is the idea that drishti and bandhas have so much more primacy in Ashtanga, so that, so long as one is really focusing on those things, transgressions in alignment (even major ones, if Sharath's video is anything to go by) can be overlooked? I suspect that maybe the only person who can really speak to these questions is Sharath himself. But since it is really unlikely that I will be able to get him to comment on this post, I'll just leave you with these questions. If you have anything to say on this, please do. I'd love to hear from you.     


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Video of me doing Hanumanasana; visiting Ernest Hemingway's grave in Ketchum, ID

Sometime last week, I messed up my SI joint while doing second series; I think I was overzealous in getting my leg behind my head, trying to do so on a day when my hips weren't particularly open. I had read and heard somewhere that doing Hanumanusana is beneficial and therapeutic for bringing the SI joint back into alignment, so for the past couple of days, I have been doing this pose as an "extra-curricular" thing outside of my practice, even though I am far from being at that place in my regular practice (I know that in Ashtanga, it properly comes at the end of third series.). 

This extra-curricular practice has been going quite well so far; if nothing else, my SI joint is definitely feeling better. This morning, I also made a video of myself doing said pose, just for the heck of it. And since videos are arguably made to be shown, I have also posted it on Youtube. Here it is:


As you may have noticed, I am not wearing yoga shorts in the video; I'm basically doing the whole thing in my briefs, which is my usual daily practice attire (if you can call it that :-)). I hope you are not offended by this. If you are, well, this is only my second yoga video in all my years of practice (the first can be viewed here), so you can be assured that you will not be treated to the sight of me doing yoga in my underwear on a regular basis. I just thought, "Well, what the hell, I did my yoga practice in my underwear when I was staying at my parents' in Singapore earlier this summer, and even they--being the socially conservative Confucian folk that they are--were totally cool with it. So why should the enlightened readers of my blog care what I use to cover my, ahem, vital body parts, so long as they are covered?" Right? :-)

You may also notice that my breaths in Hanumanasana are rather short. I don't think Grimmly would approve of this, but this being a quick show-offy demo video (I really do have other things to do in the day), I decided that I could afford to have slightly shorter breaths. 

Anyway, I hope you enjoy the video, and are not unduly offended by the lack of appropriate yoga clothing. 

************

Speaking of yoga clothing, I wonder if Lululemon sells men's yoga shorts? If they do, are they priced affordably? I have a feeling I know the answer to the second question... But anyway, I bring up Lululemon because I was in Ketchum, Idaho this past weekend, and they actually have a Lulu store there. A Lulu store smack in the middle of rural Idaho? Who would have thought? But then again, Ketchum/Sun Valley isn't average small-town America. Ketchum and neighboring Sun Valley are well-known tourist resorts, and many celebrities have pricey homes in the area. So, come to think of it, it really is no surprise that Lulu has a store there. 

While in Ketchum, I paid a visit to the grave of one of its better-known residents, the writer Ernest Hemingway. Here's a picture of the gravestone: 

  

I had recently reread The Sun Also Rises, and was very moved by Hemingway's rendering of the existential and moral crisis of the so-called Lost Generation. So visiting the grave was a kind of pilgrimage for me. The grave is located unassumingly in a public graveyard, and there are no prominent signs in the town to guide you there, so it took me a bit of asking around to find my way there. The whole process of asking around is in itself an interesting story, and I can probably write an entire post on it, but well, let's save that for another day. The present day is not getting any younger, and I need to go get a few more things done before this day is over.

More later.


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Preston, Idaho: Napoleon Dynamite in real life vs. reel life

After a long overland journey from Southern California, I arrived back here in Pocatello, Idaho a couple of days ago. School starts back up tomorrow, and I am still trying to re-orient myself to the gravitational pull of my "normal" life (i.e. the life that does not involve driving all over the place attending yoga workshops and interviewing celebrity teachers).

But I guess I'll spare you the boring details of this re-orientation. Here's something else that might interest you. On the way back to Pocatello, I took a little detour off the interstate, and stopped briefly in Preston, Idaho. Preston, as some of you may know, is the home of Napoleon Dynamite. I don't know how many of you are fans of the movie, but while in Preston, I went to a few of the places where the movie was shot, and took some pictures. In what follows, I shall set out these pictures I took alongside screenshots from the actual movie. I hope you find them interesting. If this doesn't interest you, and you'll rather read about something more yoga-related, well, then, wait for the next post :-)

But in the meantime, for all of you Napoleon fans out there, here goes. The first thing I saw when I got into Preston was Pop'n Pins Lanes. This is the bowling alley that Kip and Uncle Rico went bowling at in the movie:

Kip in action 
[Image taken from here]
 
Here is the place in "real" life:
 
 
I wanted to go in and take a few pictures, and maybe even play a game or two. Unfortunately, the place only opens in the evenings. Well, maybe next time :-) 
 
Next up is the high school that Napoleon attends in the movie: 
 
Napoleon and Deb on the steps of Preston High
[Image taken from here]

And here are the same steps, sans Napoleon and Deb: 
 

 

You might also remember that thrift store that Napoleon and Pedro went to, the one where Napoleon got his famous suit from: 
 

Napoleon looking sharp in his suit
[Image taken from here]
 
 Napoleon and Pedro hunting for the suit in the thrift store
[Image taken from here]
 
Deseret Industries, the thrift store where the scene was shot

You might also remember Uncle Rico, who is obsessed with going back in time to relive his glory days as a high-school quarterback. As you may recall, a big part of  Rico's discussion of time-travel with Kip happens over a burger:
 
[Image taken from here]
 
Unfortunately, the original burger joint where the discussion took place has since been torn down and replaced with a pizza and pasta place (I wonder why? You would think that there would be a big surge in business after such a big movie was shot there...). But the owners of the new place have nevertheless kindly kept the old sign in place: 
 
 
Well, that was all I managed to capture from scenes in the movie during my brief tour of Preston. There are many other things from the movie that I did not manage to capture here. For instance, I did not see Tina the llama. Nor was I able to locate the martial arts studio where Rex Kwon Do was taught. 
 
"Bow to your Sensei!"  
Kip receiving instruction in Rex Kwon Do from the Rex himself
[Image taken from here]
 
The locals didn't seem too enthusiastic about Napoleon-Dynamite-tourism. When I went into the thrift store and asked to take a few pictures (introducing myself as a fan of the movie), the clerk had this resigned look on her face ("there they go again...", she was probably thinking), but agreed to let me take pictures anyway. This being the case, I thought it would be wise not to overstay my welcome in this little quiet town near the Utah-Idaho border. But seriously, if any of you Napoleon Dynamite fans out there know the exact location of that Rex Kwon Do studio, please let me know. I could use a few RKD classes myself...



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Perfect Blogging Weather

Darn, these Idaho folks are strong! How can she get by with wearing so little in this weather?

This is the view from the window of the coffeeshop I am at now. If you look carefully, you can actually see the snowflakes falling. This is the sort of weather that makes you not want to go anywhere; who wants to have to drive through snow, especially if you don't have snow tires? Which makes for perfect blogging weather: Since I don't want to go anywhere, I may as well sit down in a corner with a little espresso, and blog away. Which is what I have been doing for the past couple of hours: Hence the high level of output on this blog today :-) 

By the way, I know that this weather is the exact opposite of the weather in some other parts of the world... say, Mysore. But all of you folks in Mysore right now, don't get me wrong: I do not envy you your warm weather, because (a) I will make it there someday, and (b) there is nothing like cold snowy weather to really pin your ass down in a certain place and make you really write and think. 

I'm sure you can already see this is a totally neither-here-nor-there post. Moral of the story: This is what happens when you put a digital camera in the wrong hands :-) Anyway, enjoy the weather, wherever you are. I hope you are in a warmer place. Or not.



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Yellowstone, and Garbha Pindasana troubles

Ah... I am finally in Pocatello, Idaho. I got here a few hours ago, checked into my new apartment, carried whatever little belongings I have into the apartment; I basically packed only whatever I could fit into my Mitsubishi, which is not very much at all, for this move. What this means is that besides a bunch of clothes, some kitchenware, some toiletries, and my computer and camera (and yoga mat and rugs, of course), I have nothing else to fill my apartment with! Which presents a good opportunity to meditate on the Buddhist concept of emptiness, I suppose. But I think I'll go thrift-store-shopping tomorrow, and see what I can pick up.

I'm happy to say that the trip from Bozeman to here, which took four and a half hours, was relatively smooth and uneventful. Well, I did have to drive through some mountain roads in Yellowstone National Park. And since I have little experience driving through mountains, I was probably driving quite a bit below the speed at which seasoned mountain drivers are used to: A few times, some impatient driver behind me would ride my ass for, like, fifty miles, and then pass me at the earliest opportunity. Oh well... but I did manage to stop at a nice little turn-out and take a couple of pictures of Yellowstone:

 There is supposed to be a frozen river here, which I did not quite manage to capture.

In the foreground of this picture is, of course, my trusty Mitsubishi. 

What do you think? Pretty cool, don't you think? But the most beautiful pictures were those that I did not manage to take. A few times during the drive, I would pass through stretches of road lined with evergreens on both sides, with the mountains in the distance, and the sun casting intricate patterns of light and shadow on the road. But it was simply impossible, not to mention unsafe, to stop in the middle of the road just to capture these scenes. Things like this really give me a renewed admiration for photographers who can simply perceive and then capture instantaneously such fleeting poetic moments on film. For me, the poetry would have to just live in my head and in my memories...

**************

I was feeling a little tired when I first started writing this post. But all this writing and thinking has given me a second blogging wind, and now I feel like talking about yoga again. What to talk about? Let's talk about an asana that I've noticed many people having difficulty with: Garbha Pindasana. Before I start, I guess I should say that I am not trying to make light of the very real difficulties that many people face in this posture. What I'm trying to do, rather, is to talk about the difficulties that folks have had with this posture in a light-hearted manner, with the hope of shedding some light on this posture. I understand that it is widely seen as bad form to make light of a posture that one has little difficulty with, and you might hate me for doing this (although I hope you don't), but really, why make a difficult posture more difficult by taking everything so seriously?

Anyway, here's what I have to say. Over the past few years of practicing at various shalas and reading blog posts on this asana, I have noticed that people who experience difficulty with Garbha tend to fall into one of two categories:     

(1) The beachers: These are people who, after getting their hands through into Garbha, manage to do two or three rolls, and then roll over and become unable to get up, like a, well, beached whale. Hence the name. 

(2) The jerkers: These are people who, after getting their hands through into Garbha, do a series of very quick, jerky movements which are supposed to be rolls, but never quite generate enough momentum to complete the circle and come up into Kukkutasana. 

I personally witnessed a jerker in action recently. At a recent shala that I practiced at, there was a jerker next to me. I couldn't help noticing her jerking, even though I wasn't wearing my glasses and couldn't see so well. Part of me wanted to stop my own practice, walk over to her, and suggest to her that maybe if she would try curling herself deeper into a ball and then try to use her bandhas to roll more slowly and deliberately, she might be more productive in this posture. But I was afraid she would think me nosy; besides, it kind of goes against shala etiquette to give people asana suggestions when you are not the teacher, right? So I left it at that. But the image of her jerking frantically and frankly, futilely in Garbha stuck in my mind. This, combined with some recent posts on difficulties with Garbha that I read in the Ashtanga blogosphere, made me decide to write about this, at the risk of being the object of public outrage. 

Like the other core postures of Primary (Mari D, Supta Kurmasana, etc.), getting proficient in Garbha takes a lot of work. But I really think that curling more snugly into a ball and engaging the bandhas and breath more (as in: Exhale, roll down, inhale, roll back up) to facilitate the movement really makes a difference in being able to work productively with the posture. Or, as Kino would say, use the pelvis as the steering wheel of the posture. Here's her video on this posture: 


As always, Kino has a way of boiling a very complex thing down into a readily accessible image (in this case, using the pelvis as the steering wheel). And she also gives some useful tips about what to do if you find yourself beached. 

Alright, that's enough blogging for today. I think I'm going to try to get some sleep now in my less-than-full apartment. More later. 



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Shadow Ashtanga, dropping like flies, and moving to Idaho

This morning, I decided do my practice in what used to be my Buddhist prayer/practice room (for more details, see this post) instead of the living room, where I have been practicing for the last two months. I just felt that the prayer room seems to be quite a bit warmer than the living room, which might make for an easier practice (less internal heat to have to build up to get my system going).

Because the prayer room is smaller than the living room, the lighting from the ceiling light impacts my body at a more direct angle. Which means, among other things, that I could actually see my shadow on the wall as I moved through the Suryas. It's especially cool (not to mention ego-boosting) to be able to see my shadow lift its lower half cleanly off the ground in trini position, and then float and land neatly in Chaturanga. I even suspect that my shadow may actually look better than its owner (me) doing Ashtanga! For the record, I've never actually video-ed myself doing Ashtanga before. Which also means that I've never actually seen myself doing Ashtanga. Isn't it interesting that I'm never seen myself doing something which is so much a part of my daily life?

Practice on the whole was good today, if I ignore my rather uninspiring performance in Karandavasana. Tried the posture four times. Every single time, I missed my forearms/elbows, and dropped like a fly into seated padmasana (Ha! "Dropping like flies in Karandavasana"... sounds like a song or poem or book title :-)). But setting aside the uninspiring performance in Karandavasana, the rest of practice was great. The energy level was great, and I moved through the whole thing at a good clip; I did primary up to Baddha Konasana and second up to Karandavasana in about an hour and forty minutes. I know that the speed of one's practice is not the only indicator of the quality of the practice, but I really think there is something to be said for moving through the practice at a good clip. Builds heat, and also prevents one from over-thinking things. But maybe the downside is that if I had practiced at a slower pace, I would have had more energy to do a "better" Karandavasana; I can't help thinking that it may be easier to land Karandavasana (and eventually, come back up) if my breathing were a little slower. I don't know. We'll see what happens tomorrow.   

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In other news: I will be moving to Pocatello, Idaho in early January. A few days ago, I was offered a short-term teaching position at Idaho State, and decided to take it. It is not a tenure-track position (obviously), but the terms are, well, better than my present employment situation, so I decided to take it. Ah, the joys of not being on the tenure track...

Anyway, I just started looking online for apartments today, and basically getting myself into relocation mode. It's not exactly a small move, distance-wise: Pocatello is 16 hours from where I am presently at. I guess I'm lucky that I don't have a lot of stuff, so I won't have the problem of having to lug a whole truckload of things across the country. But I do have a few boxes of books (mostly works of philosophy and literature) that I would like to give away to anybody who would like to have them. If you live near where I am (Fargo, ND, and Moorhead, MN), and are interested in coming into the possession of a few (or more than a few) good books, please email me. Otherwise, I'll have to try to give them away to local used bookstores or my department or something. 

Anyway, I know nothing about Idaho. The only people I know who are from Idaho are not even from this world:

Anybody seen these guys lately?
[Image taken from here]

So yeah, it's not like I can get in touch with Uncle Rico, Napoleon or Kip, and ask them if they would like to hang out and maybe do some Ashtanga or Rex Kwon Do together. Oh, and if you don't know what Rex Kwon Do is, boy, are you missing out! It's so kick-ass, it makes Mixed Martial Arts look like a walk in the park. As they say, a (moving) picture says a thousand words. Here's a powerful demonstration of Rex Kwon Do from the Rex himself:


Impressive, no? ;-) 

Anyway, long story short, is anybody reading this blog from Idaho? If you are, feel free to email me. Maybe we really can do some Rex Kwon Do together? ;-) 

And also, does anybody know anybody who does Ashtanga in Idaho? Probably a long shot, but I guess it can't hurt to ask, right? I looked on the KPJAYI website, and it seems that the closest authorized teacher in that part of the country lives in Missoula, Montana, which is five hours from Pocatello. Maybe I'll take a little detour when I am moving there, and see if I can drop by and study with him for a day or two. 

More later. 



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